The full cast of the touring version of Sylvia – a musical based on the life Suffragette Sylvia Pankhurst – has been announced ahead of its visit to Norwich in October.
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A festival of Indian music will see two concerts at Norwich’s St Andrews Hall as part of a returning festival.
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Cole Porter’s glamorous and hit-laden musical High Society is coming to Norwich Theatre Royal as part of a UK tour this month, with Call the Midwife star Helen George as its leading lady.
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The Greek mythological tale of the sorceress Medea is being brought to modern audiences with an emphasis on its contemporary relevance.
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Matilda The Musical is that very rare thing: a flawless theatre show.
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The Pavilion Pub is open – and almost anything can happen – in this packed variety show for the summer season.
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The story of master codebreaker Alan Turing is told with controlled brilliance in this well-crafted drama.
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This tale of upstanding Yorkshire folk discovering a surprising secret offers a gentle comedy with hints of a darker underbelly.
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God plays dice, Death tells stories – at least they do in this surreal grown up fairy tale.
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Mammia Mia! has probably the largest format programme I’ve ever seen. While that may seem an odd thing to focus on for the review of a musical, it matters because this is more than theatre: it’s a phenomenon.
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A dark chapter in the history of India and British is told with grace – and a surprising amount of comedy – in this confidently-staged piece of storytelling.
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Is there anyone that doesn’t know the twist to The Picture of Dorian Gray? Oscar Wilde’s gothic novel has such an assured place in our culture, that it should give a theatrical adaptation a lot of licence.
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When you boil it down, most magic is either guessing a right answer, or making something appear, disappear, or do something it shouldn’t be able to: the rest is the presentation. And Tom Brace presents with an infectious joy.
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John Le Carré’s brand of Cold War espionage thriller has generated best-selling books and some iconic screen adaptations – but until now it hasn’t made it to the stage.
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Parody meets en pointe perfection in this softly satirical take on classical ballet, now in its 50th year.
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