How do you tell one of the best known fairy tales in a new way? By assembling a cast of more than 200 and turning the very idea of storytelling on its head.
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Could a traumatic childhood event lead to an insular life of fantasy? That’s the question posed by the third play by Norfolk-born playwright Beatrice Armstrong.
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Here’s some free advice for comedians thinking of going on tv: make sure you’ve got enough material left for touring.
Explore MoreThe county still being alight with Olympic flame fever, what could
be more fitting than a ‘lost’ Aristophanes comedy to round off the
festivities?
There can be something joyfully simple about puppetry that hides the tremendous expertise of doing it well.
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