The fag end of one of the modern era’s longest depressions is an odd time for a revival of F Scott Fitzgerald’s best known piece, but The Great Gatsby is everywhere right now.
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criticism: whodunnit in The Mousetrap. But that would spoil the fun, and this
production of Agatha Christie’s classic play is all about fun.
Soldiers emerge from a battered metal cage, courageous but terrified at what might befall them in the unpredictable surroundings of war-torn Iraq.
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An evening with Arthur Smith is like pulling on a slightly tattered but favourite old jumper: warming, reassuring, but about as far from daring as you can get.
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