The Spiegeltent was made for daring, cheeky, cabaret – and Les Enfants Perdus was made for the Spiegeltent.
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People can impose themselves on a room in different ways: Will Self towers over an audience both with his giant height and his substantial intellect.
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This is the second year in Norwich for How Like An Angel, and it continues to be a startling and impressive spectacle.
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Has the mobile phone robbed us of part of ourselves?
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Poetry evenings can be rather somnolent affairs, but at this one a gauntlet was thrown down: be harder on poetry.
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The fag end of one of the modern era’s longest depressions is an odd time for a revival of F Scott Fitzgerald’s best known piece, but The Great Gatsby is everywhere right now.
Explore MoreIt’s tempting to deliver the biggest scoop in theatre
criticism: whodunnit in The Mousetrap. But that would spoil the fun, and this
production of Agatha Christie’s classic play is all about fun.
Soldiers emerge from a battered metal cage, courageous but terrified at what might befall them in the unpredictable surroundings of war-torn Iraq.
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An evening with Arthur Smith is like pulling on a slightly tattered but favourite old jumper: warming, reassuring, but about as far from daring as you can get.
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For previous trips to Norwich, Robin Ince has been in the company of his book club – but this time round he’s ditched the literary hangers on and is focused on one thing: science.
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A few years away from stand-up has dented none of Lucy Porter’s charm – she remains as funny and engaging as ever.
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