Comedy working can be as much about the
surroundings as the material, and this surprising venue has a fantastic
atmosphere.
As with most fairytales there are some
mixed messages in this Northern Ballet version of the story of the vainglorious
prince turned to a monster by a slighted fairy.
A play about words is a risky one for a
critic; one largely about love is doubly troubling for us unhappiest of all
artists.