It’s not quite pantomime season, but this pacey and curious production has the warmth, absurdity, and frequent cross-dressing to almost qualify for that dubious label.
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Macbeth was one of the first plays I saw as a child, and apparently so enticed me that I nearly climbed inside the witches’ cauldron.
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A bleak and oppressive world of work gives way to playfulness, humour, and some intense acrobatics in this stylish take on a circus show.
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The National Gilbert and Sullivan Opera Company brought a radical re-working of two of the duos earliest pieces to Norwich on September 21 – well, radical if you count a lesbian couple, a Tommy Cooper homage, and a Love Island joke thrown into the libretto as radical.
Explore MoreEven allowing for irony, Ladsladslads is perhaps the most unrepresentative name Sara Pascoe could have come up with for her tour.
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The best theatre is about magic: making the impossible happen. Sound Idea’s production of Singin’ In The Rain does just that and if you’re in the front two rows you’re likely to get quite wet too.
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After more than two years touring the UK and Europe, Norwich’s own Lost In Translation circus troupe have finally brought their show The Hogwallops to the city – and what a treat we’ve been missing.
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You know when something is not quite
right, but you can’t put your finger on it?
This
adults only, late-night branch of Norwich’s Circus 250 celebrations is a
rambunctious and infectious mix of circus, modern burlesque, and comedy.
This was a gig that could have been created just for Norwich: a storytelling comedian who not only delivered a great set, but asked for notes too.
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This musical romp through the evolution
of Frankie Valli and the Four Seasons is packed with some of the biggest hits
of the 1960s and 70s.
Norwich audiences are notoriously polite so to provoke half a dozen people to walk out midway through a show is a strange sort of triumph; if there had been an interval, the body count would undoubtedly have been higher.
Explore MoreThis Writers’ Centre Norwich event brought together five speakers for a diverse set of 15 minute talks on our often frustrating and surprising bodies.
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The ringing out of Cathedral bells signalled the beginning of the main segment of this latest Voice Project performance.
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The tradition of transgressive writing by women was the focus of this Writers’ Centre Norwich event.
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