This, says Jon Richardson, is a three-cardigan gig.
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It wasn’t until she got the audience on their feet that Deva Mahal really came alive.
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Nuclear oblivion and Lego might not seem like natural companions but this unusual show, Nuketown, brings them crashing together.
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What can politics teach poetry? That was the question posed by Tim Clare and Mark Grist at this unusual verse meets votes show at Norwich Arts Centre.
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From the very start of Hofesh Shechter’s return to the Norfolk and Norwich Festival, with a blatant nod to the monolith and apes of 2001 Space Odyssey, we a bombarded with a dense series of cultural references.
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Skulking on stage in his skinny jeans,
white t-shirt, and fulsome beard, David McAlmont cuts an unprepossessing
figure.
A man’s struggle with dementia was the canvas for this astounding play without (many) words: a rich, adventurous, and deeply impressive production where every movement was deliberate and delicious.
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A minority government stumbling from vote to vote, propped up by a dubious alliance with an Irish party, and never sure if the next moment could be their last.
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Tom Allen’s star is on the rise: he is a regular on TV panel shows, the host of Channel 4’s Bake Off: The Professionals spin off, and now on a nationwide tour with sell-out dates – including Wednesday night’s stop in Norwich.
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You can have to work hard to impress a Sunday evening audience, but Joe Lycett did just that with this rescheduled Norwich Playhouse show.
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With a riot of noise and colour, stunts and tumbles, this is a busy and exciting show.
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There’s one word that overwhelming sums up the comedy of The Horne Section: daft.
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This may be Cinders, but there is no
pumpkin in sight – the fairy godmother is a male angel, the carriage a
motorbike and sidecar, and the ball is at the Cafe de Paris in the midst of the
London Blitz.
Are there any taboos left? Apparently so, if the reception for this monologue written by an anonymous woman but read aloud by a man is any indication.
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Kidnap is at the heart of this twisted tale, adapted from Ruth Rendell’s novel of the same name, but the main thing stolen in this production is any element of suspense.
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