This startling coming of age story has a fittingly unconventional production that captivates and develops the narrative in clever and surprising ways.
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The set of this adaptation of
Charlotte Brontë’s classic novel is dominated by the looming presence of the
splintered rafters that are the endpoint of the tale’s twisting plot.
This stylish production of the classic Hitchcock film runs fine until it hits a dramatic moment – and then it gets derailed and the tension vanishes.
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Singer Kathryn Williams brought together her musical buddies, such as members of the Magic Numbers, at the Union Chapel in London to celebrate songwriting with a special concert.
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New 16-venue pick and mix music festival Wild Paths has announced more details of its debut line-up.
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Norwich’s Theatre Royal has added a Jason Donovan date to its new season – just one day after unveiling the main programme.
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Cambridge Folk Festival rarely disappoints and this year saw winning performances from legends Graham Nash, Ralph McTell and Richard Thompson as well as up and coming performers such as Kerri Watt, Lucy Grubb and Annie Dressner.
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The winners of a youth writing competition will see their story illustrated and showcased in a prominent Norwich city centre shop window.
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Despite a mafia-themed opening this
production of Shakespeare’s comedy owes more stylistically to a Hitchcock
thriller than the Godfather.
The rise and fall of Norfolk’s railways – or rather the people that used them – are at the heart of this charming community theatre piece.
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Two new shows at a Norwich gallery offer highly contrasting works from local artists.
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Household name comedians Tim Vine and Jack Whitehall are bringing their new shows to Norwich.
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Lively – and frequently rude – comedy music duo Jonny and the Baptists are spreading some love to the east as part of their new UK tour.
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A new monthly debate series has been unveiled by the Norwich-based National Centre for Writing, tackling exhaustion, guts, and surveillance.
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For a television show that has achieved cult status and is famed for its audience asides, revisiting its stage roots as a one-woman monologue was always going to feel a bit strange – even if delivered via a cinema screen.
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