There can be a risk that period pieces wrenched from their context lose their power. That isn’t the case with W Somerset Maugham’s For Services Rendered.
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Part way through the first half of A Song At Twilight, the hotel waiter brings in some champagne.
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This is the story of a man who wants everything, and is willing to sell his soul to the devil to get it – and it’s a production that has high ambitions too.
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It’s unlikely that the name Philip Hollobone will ever elicit such a large cheer as the one it received at the opening of the second half of Ivo Graham’s Norwich gig.
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Funnier things happen at sea in this frothy and fast comedy from one of our best-regarded living playwrights.
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With Storm Gareth raging outside, there wasn’t much need for simulated wind and rain to open this oppressive and claustrophobic version of Macbeth, but still it came.
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This stunning 90-minute monologue rescues Virginia Woolf’s tale from the stale confines of gender studies and treats it for what it is: a bloody good yarn.
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In the afterglow of the recent film sequel to Mary Poppins, this new one-hander play is a gloriously British evening of gentle and poignant comedy.
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This stupendously silly spy thriller is a delight from start to finish.
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Opening the first night of his tour with a two-day stint at Norwich Playhouse, Ed Gamble explains his show’s title is influenced by an incident last January when he and three other comics got stranded in New York because of heavy snow.
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There has been a drastic evolution in the Russian State Ballet of Siberia’s touring performances.
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