Canadian comedian Stewart Francis is back with a new tour called Pun Gent – but not all his jokes are that kindly.
Explore MoreMirror balls, muscular men in short-cropped jeans, and, er, the Iron Lady? It might not be an obvious combination but this show is an exuberant delight.
Explore MoreThere may have been a plot somewhere deep in Milton Jones’ latest show, but it really didn’t matter.
Explore MoreTalking about comedy is seldom that funny, so aiming for an entertaining history of it was a brave move for the Reduced Shakespeare Comedy.
Explore MoreMark Watson thinks he’s flawed; his performance at the Norwich Playhouse suggests a lot of comic virtue.
Explore MoreThere’s something surprisingly, undeservedly, meek about Sara Pascoe.
Explore MoreHe’s a favourite on Radio Four and known for his emphatic political satire, but this was a very different show from Marcus Brigstocke.
Explore MoreBetrayal is at the heart of comedian Mark Thomas’ latest show, which focuses on the extent arms manufacturers are alleged to have gone to to spy on ant-war campaigners.
Explore MoreIf only every comedian was as acerbic, smart and downright funny as Katherine Ryan.
Explore MoreSome comedians tell a stream of gags, some a winding story. Alex Horne stealthily creates a contraption to ring a bell that would have made Heath Robinson proud.
Explore MoreWatching poet Tim Key’s latest show is like a waking dream – and not just because the stage set prominently features a double bed.
Explore MoreSo this could be awkward: Bridget Christie is a woman and a feminist. We know this because she tells us, repeatedly. I’m a male journalist – and a target for a reasonable chunk of her material.
Explore MoreJon Richardson is clearly a sensitive man: aged disparaging
reviews, the curling of microphone wires and the absence of anyone called
Geoff in the audience all seem capable of throwing him off beat.
Laughter is an appropriate reaction: that’s probably about as
close as a summary to Rachel Mars’s latest show as you’re likely to
get.
The career trajectories of most comics goes from years of playing depressingly small venues, to decent theatres and finally telly. For Matt Richardson, things have been a little different.
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