Top of the list of television’s sacred cows must be Fawlty Towers, so taking it out at as touring stage production might be considered either brave or stupid.
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How do you tell one of the best known fairy tales in a new way? By assembling a cast of more than 200 and turning the very idea of storytelling on its head.
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Could a traumatic childhood event lead to an insular life of fantasy? That’s the question posed by the third play by Norfolk-born playwright Beatrice Armstrong.
Explore MoreThe county still being alight with Olympic flame fever, what could
be more fitting than a ‘lost’ Aristophanes comedy to round off the
festivities?
Everything has its place and time: sometimes you want thought-provoking drama, evocative romance or weep-enducing tragedy. And sometimes you want a laugh.
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Divorced, beheaded, died, divorced, beheaded, survived.
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Shakespeare’s plays are often crudely divided between comedies and tragedies; the director of this latest production of Twelfth Night clearly didn’t get that memo.
Explore MoreRarely has the Theatre Royal stage’s potential been so richly
exploited as in Stephen Daldry’s production of An Inspector Calls.
Two worlds collide in the Maddermarket’s production of Alan Ayckbourn’s comedic tale of lust, misunderstanding and hastily arranged dinner parties.
Explore MoreThe ever brave Maddermarket players have taken on a typically quixotic choice for their latest production: Dylan Thomas’ radio play Under Milk Wood.
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A long-lost Shakespeare play or a false claim on the Bard’s name?
Explore MoreBunny deserves something better than this review.
Explore MoreIt’s been scaring theatregoers in the West End for 21 years, but has the latest transfer of The Woman In Black kept its edge?
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