Humans good, puppets better? This adaptation of George Orwell’s classic allegory Animal Farm uses a captivating cast of puppets to tell the famous story of Napoleon, Boxer, and the other animals leading a doomed revolution.
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The brutality of dementia is at the heart of this dark but gently humorous play that both unsettles and embraces the audience.
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Six characters in search of a murderer, Cluedo brings the classic board game to life in a dark comedy of blackmail and bumping off.
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We all see things differently: in this play, we begin to see the world through the eyes of a suburban housewife whose mind is beginning to crack.
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This trio of witty and moving plays captures your attention from the off, with great writing matched by some sterling performances.
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Cringe at your memories of your childhood selves and laugh your hearts out at this riotous comedy from the makers of BBC1’s Gone Wrong Show.
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Sexual intrigue and sparkling performances make for a strong return for the Maddermarket Players in their first post-Covid production.
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History, so the aphorism goes, is written by the victors – drama is a very different story.
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When it opened at the National Theatre nearly 10 years ago, One Man, Two Guvnors was rightly roundly praised as a comic masterpiece, and in this Norwich revival it has lost none of its sparkle.
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A divorced couple find themselves on neighbouring hotel balconies as they honeymoon with their new partners, in this sparkling re-opening production at Norwich’s Sewell Barn Theatre.
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The Lord Chamberlain’s Men returned to Norwich Cathedral with a pacey and entertaining – but unprovoking – rendition of Shakespeare’s Macbeth.
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Faced with the challenge of coronavirus closing venues, Norwich-based Reflex Theatre has taken a radical approach to putting on performances.
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Theatre has seemed like an impossible thing recently, but this production of Alice In Wonderland could rekindle anyone’s belief in the magic of live storytelling.
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Weeks of wild weather mean you might not need much imagination to picture the fierce beauty of the exposed Yorkshire moors, the setting for Emily Brontë’s classic novel.
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This spiky farce attempts a satire on feminism but sidesteps serious study in favour of laughs and an increasingly untenable plot.
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