Faced with the challenge of coronavirus closing venues, Norwich-based Reflex Theatre has taken a radical approach to putting on performances.
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The world makes no sense at the moment, so the sometimes surreal world of Circus Lates is a perfect fit to these weird times.
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Theatre has seemed like an impossible thing recently, but this production of Alice In Wonderland could rekindle anyone’s belief in the magic of live storytelling.
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No one wants to admit they’re stupid. But
watching Ben Hart’s illusions you have only two options: admit he’s outwitted
you, or believe in magic.
Parenthood hasn’t fundamentally changed Ivo Graham, but it has made him more time-efficient.
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Weeks of wild weather mean you might not need much imagination to picture the fierce beauty of the exposed Yorkshire moors, the setting for Emily Brontë’s classic novel.
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Despite being in the midst of planning
her wedding Suzi Ruffell decided to spend Valentine’s weekend in Norwich, with
two sell-out shows.
This spiky farce attempts a satire on feminism but sidesteps serious study in favour of laughs and an increasingly untenable plot.
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This is a show of unusually mixed
emotions: Richard Alston has just been knighted and his eponymous company has
reached its 25th year.
Being the only Brexiteer in the comedy club seems to have become
something of a millstone for Geoff Norcott.
Ed Byrne is a man in search of small victories, and being rewarded with big laughs.
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Watching Robin Ince can be a
nerve-wracking experience: you frequently wonder if he’ll remember to breathe.
This showcase from a talented young company
proved something of an embarrassment of riches.
Norfolk is often ridiculed for being stuck in its ways, but things can change: this is a solo Nimmo Twin’s gig.
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This retelling of a classic Henry James tale is a menacing and suspenseful production, with more chills than the winter weather.
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