Singer Kathryn Williams brought together her musical buddies, such as members of the Magic Numbers, at the Union Chapel in London to celebrate songwriting with a special concert.
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Cambridge Folk Festival rarely disappoints and this year saw winning performances from legends Graham Nash, Ralph McTell and Richard Thompson as well as up and coming performers such as Kerri Watt, Lucy Grubb and Annie Dressner.
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Despite a mafia-themed opening this
production of Shakespeare’s comedy owes more stylistically to a Hitchcock
thriller than the Godfather.
The rise and fall of Norfolk’s railways – or rather the people that used them – are at the heart of this charming community theatre piece.
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For a television show that has achieved cult status and is famed for its audience asides, revisiting its stage roots as a one-woman monologue was always going to feel a bit strange – even if delivered via a cinema screen.
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Verona is anything but fair in this dark and challenging reimagining of the tale of two young lovers.
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This double-bill of new shows from
Norwich-based theatre company Laughing Mirror could not have been more
contrasting.
Miller’s classic tragedy of lust and betrayal is given a bold and confident reworking in this stylish Maddermarket production.
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The superficially wispy plot of this Noel Coward play hides a darkly comic and sharp take on ageing and the lives we live.
Explore MoreTwo of the 20th century’s greatest rock and roll stars were brought back to life at this thoroughly toe-tapping performance.
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Love drives people to strange actions in this accomplished performance, at the Maddermarket Theatre, of a rarely seen Agatha Christie adaptation.
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This show did not have an auspicious start – six performers milling around the stage, sharing in-jokes and nattering away – but appearances can be deceptive.
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The sassy tale of Elle Wood and her attempt to prove herself gets the full musical treatment in this latest production of Legally Blonde by Threshold Theatre Company.
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Hailed in the Norfolk and Norwich Festival programme as “the next Amy Winehouse” and with her work sampled by Jay-Z, Hannah Williams arrived with a weight of expectation.
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This was a show that promised to push magic in new directions: based on this evidence, I think I’d rather they took a step back.
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