This special tribute show saw jazz and R&B vocalist Sarah Jane Morris exploring the songs of Scottish folk singer songwriter John Martyn.
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Sunday is supposed to be a day of rest, but other than a tardy start the Renegade Brass Band were anything but sleepy for this finale of the first full Norfolk & Norwich Festival week.
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All is not what it seems in this glamorous and enchanting show, that offers a gentle and lulling mix of humour and beauty.
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Queuing up in the rain is rarely an auspicious start to a gig, but the insistent rhythms of The Turbans meant it didn’t take long to get dry once the Spiegeltent started shaking.
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The concept of Reverse is simple: walk backwards around the city, getting a new view on Norwich. The outcome is something much more profound.
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From the first tentative move of the opening piece to the concluding strut of the third and final dance, it is clear Boy Blue are an exceptionally talented company.
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This performance is certainly in a fitting venue, with the Norfolk & Norwich Festival opening the door to the normally hidden former court room in the Shirehall, the city’s centre of justice for 166 years.
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This varied and engaging showcase from one of the country’s leading ballet schools is a treat for ballet newbies and aficionados alike.
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It takes some guts to mess with The Beatles, and it takes some serious panache to pull it off.
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There can be a risk that period pieces wrenched from their context lose their power. That isn’t the case with W Somerset Maugham’s For Services Rendered.
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Part way through the first half of A Song At Twilight, the hotel waiter brings in some champagne.
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This is the story of a man who wants everything, and is willing to sell his soul to the devil to get it – and it’s a production that has high ambitions too.
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It’s unlikely that the name Philip Hollobone will ever elicit such a large cheer as the one it received at the opening of the second half of Ivo Graham’s Norwich gig.
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Funnier things happen at sea in this frothy and fast comedy from one of our best-regarded living playwrights.
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With Storm Gareth raging outside, there wasn’t much need for simulated wind and rain to open this oppressive and claustrophobic version of Macbeth, but still it came.
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