It don’t mean a thing if it ain’t got that swing — and
these boys have plenty.
Divorced, beheaded, died, divorced, beheaded, survived.
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It’s one of Shakespeare’s best-loved plays, a timeless story of tragic love. Moscow City Ballet’s performance of Romeo and Juliet is robbed of the famous poetry, substituting for it Prokofiev’s score and Victor Smirnov-Golovanov’s skilful direction and choreography.
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Shakespeare’s plays are often crudely divided between comedies and tragedies; the director of this latest production of Twelfth Night clearly didn’t get that memo.
Explore MoreRarely has the Theatre Royal stage’s potential been so richly
exploited as in Stephen Daldry’s production of An Inspector Calls.
This is one of the hardest reviews I’ve ever written.
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Two worlds collide in the Maddermarket’s production of Alan Ayckbourn’s comedic tale of lust, misunderstanding and hastily arranged dinner parties.
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Adam Hills opens shows in his latest tour with a warning: he doesn’t have a planned set, he’ll mostly spend the gig talking to the audience, and it could go very wrong.
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Jack Whitehall may not be fresh meat on the comedy circuit any more, but he could still do with some more seasoning.
Explore MoreThe ever brave Maddermarket players have taken on a typically quixotic choice for their latest production: Dylan Thomas’ radio play Under Milk Wood.
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Watching Russell Kane on stage is like setting light to a box of fireworks: you get a constant stream of explosions, you never quite know where they’ll end up, but you can’t help getting excited watching the bangs.
Explore MoreSending someone to review Daniel Kitson is unfair.
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I’ve never been to a gig at the Playhouse before with a police presence, but Richard Herring has stirred the ire of Christians with this revival of his first one-man show.
Explore MoreMark Steel hadn’t quite expected Norwich. The comedian’s latest show comprises a relaxed journey through the UK, exploring the quirks of each location. And it seems what marks out Norwich is a tendency to throw him off guard, but also to goad the best out of him.
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A long-lost Shakespeare play or a false claim on the Bard’s name?
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