When one of the central characters in a play is a arrogant, self-important critic, its very hard to review it without feeling just a little self-conscious.
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It’s more than 120 years since the story of The Wonderful Wizard of Oz was released, and this musical production adds some modern sparkle to the tale.
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This largely traditional production of Tchaikovsky’s most performed ballet throws in some modern twists as part of Varna International Ballet’s 2024 UK tour.
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The February instalment of this regular comedy night at Norwich’s The Garage saw a line up of three white men – but was more diverse than it at first appeared.
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Ten strangers are lured to a house on a remote island and accused of murder – only to face death themselves – in this classic Agatha Christie tale.
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If you think chiropody, ration books, and a real lady of a pig sounds like an unlikely combination for a winning musical, you clearly haven’t seen Betty Blue Eyes.
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The secret of good comedy is apparently timing – but it appears slightly out of joint in this curiously retro futuristic satire.
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If the arctic weather isn’t giving you enough chills, this simple but powerful adaptation of Susan Hill’s ghost story has every chance of making your blood run cold.
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Karl Minns’ Norwich single mum alter ego’s winter outing is becoming a tradition as familiar as Old Year’s Night – and remains a sparkling piece of self-effacing fun.
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Panto sometimes gets a bad rap – at best silly stories for kids, at worst a lazy cash cow for theatres and fading celebs. But done well it can bring together comedy, music, dance, in a single entertaining package.
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Get ready to get sequinned out: Norwich Theatre’s panto is a riot of glittering costumes, frenetic dance routines, anthemic songs, and smart and silly humour.
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There’s a painting by African-American painter Henry Ossawa Tanner of the moment Mary is told by archangel Gabriel that she is pregnant with the son of God.
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There are many different versions of the Beauty and the Beast story, with this Northern Ballet dance version having several twists of it own.
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Master storyteller Danny Robins brings his supernatural podcast to the stage in this touring production focused on things that go bump in the night.
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“There isn’t a message, so don’t go looking for one” we are warned near the beginning of this stage adaptation of Gabriel Garcia Marquez’s story.
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