This award-winning modern spooky drama is chilling and entertaining, with some clever twists on traditional theatre jump scares and a smart underlying story.
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More than half a century on from its debut this satire of war still has power to shock – and more unnervingly, entertain.
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For a story centred on the philosophy of religion, Life of Pi is surprisingly high on laughs and spectacle.
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Doo wop and R’n’B band The Drifters get the jukebox musical treatment in this touring version of the Olivier Award nominated West End show.
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We all know that it’s the pelvic thrusts that really drive you insane, but what else is there to love about the Rocky Horror Show?
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Strap yourselves in for some nineties nostalgia and a bucketload of obscenities – Jerry Springer: The Opera is back in town.
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Lewis Carroll’s surreal tales of the young Alice’s adventures have an enduring charm; this new adaptation for outdoor performance focuses on his second instalment of life in Wonderland.
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Love in later life is the heart of this funny and touching comedy drama, brought to life by three adept leading ladies.
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The charm of outside theatre is the unique experience of seeing a performance in an unusual setting, in a way that will never be repeated; this risk is that the weather might make experience pretty damp.
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Ideals are shattered and formed in this charming new musical production following four young friends whose lives are irrevocably altered by the outset of the First World War.
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Tchaikovsky’s magical tale of warring swans gets a re-jig in this production that features 90 upcoming young dancers alongside professional principal dancers.
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It seems like almost everything is a musical these days, but very few provide the pure joy that seeps from every pore of The Spongebob Musical.
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Who really made the world go round in Regency England? The servants – at least according to this charmingly silly adaptation of Jane Austen’s most popular novel.
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This dark 1980s film comedy has been given a surprisingly sweet remake in this musical production, now touring nationally after stints on Broadway and the West End.
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Political despatches are no longer quite as bloody as that which befell Caesar in Shakespeare’s Roman tragedy, but we have certainly seen several ego-inflated leaders in recent times.
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