Strap yourselves in for some nineties nostalgia and a bucketload of obscenities – Jerry Springer: The Opera is back in town.
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Lewis Carroll’s surreal tales of the young Alice’s adventures have an enduring charm; this new adaptation for outdoor performance focuses on his second instalment of life in Wonderland.
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Love in later life is the heart of this funny and touching comedy drama, brought to life by three adept leading ladies.
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The charm of outside theatre is the unique experience of seeing a performance in an unusual setting, in a way that will never be repeated; this risk is that the weather might make experience pretty damp.
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Ideals are shattered and formed in this charming new musical production following four young friends whose lives are irrevocably altered by the outset of the First World War.
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Tchaikovsky’s magical tale of warring swans gets a re-jig in this production that features 90 upcoming young dancers alongside professional principal dancers.
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It seems like almost everything is a musical these days, but very few provide the pure joy that seeps from every pore of The Spongebob Musical.
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Who really made the world go round in Regency England? The servants – at least according to this charmingly silly adaptation of Jane Austen’s most popular novel.
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This dark 1980s film comedy has been given a surprisingly sweet remake in this musical production, now touring nationally after stints on Broadway and the West End.
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Political despatches are no longer quite as bloody as that which befell Caesar in Shakespeare’s Roman tragedy, but we have certainly seen several ego-inflated leaders in recent times.
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There is always a temptation with Shakespeare to try to do something different: this version of A Midsummer Night’s Dream nominally sets the action around the Suffragette movement of the early 20th century.
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Shelley’s Frankenstein is a delicate story that explores what it means to be human; this musical version by Mel Brooks, not so much – but it is bloody good fun.
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The towering figure of Sir Thomas Browne has loomed over Norwich city centre up until recently, when a statue and art installation commemorating him his works was removed for what is termed in local government circles as a refreshed public realm.
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Billed as a culmination of a three-year project working with Norfolk communities creating contemporary responses to protest songs, this hour-long performance seemed sadly unaware of its own context.
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The opening event for the Norfolk & Norwich Festival’s temporary “speakeasy” venue was a joyous touching tale of man versus beast.
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