The worlds of beat boxing and Dickens collide in this punchy and energetic ‘remix’ of a story by children’s author Michael Rosen.
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Shakespeare’s Hamlet famously says he could be bounded in a nutshell but count himself king of infinite space, were it not that he has bad dreams.
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Kin is a theatrical feast that mixes movement, dance, and puppetry, with exquisite design and lighting that is as much a part of the show as the performers.
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One of the delights of the Norfolk and Norwich Festival is the trepidation of attending a show without quite knowing what it will bring, and discovering a gem.
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What is worse: loud music or racism? That’s one of the stark questions posed by this inventive and oddly charming performance piece that takes us into the worlds of car meets and Islam.
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Poetry isn’t known for being one of the more gruelling art forms. But performance poet Lewis Buxton has brought his trainers and exercise mat, and he’s not afraid to break into a sweat in his compelling show about a youth spent trying to outrun obsessive thoughts.
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This quirky guided tour of one of Norwich’s oldest buildings mixes history with performance, giving a light-hearted look at the city’s Guildhall.
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Onions, it seems, are like family: they come in different shapes and sizes, are multi-layered, and can sometimes make you cry. At least that appears to be a theme of this evolving new show from Norwich-based Orange Skies Theatre.
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Santa, snow, sequins, silly jokes, and songs you can hum along to – the Sound Ideas’ Christmas show has everything you could want from a traditional festive celebration.
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Keeping a wet and windswept audience engaged is a tall order, and Requardt & Rosenberg got an overly-generous reception for their sci-fi dance piece, Future Cargo.
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Cambridge Folk Festival rarely disappoints and this year saw winning performances from legends Graham Nash, Ralph McTell and Richard Thompson as well as up and coming performers such as Kerri Watt, Lucy Grubb and Annie Dressner.
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For a television show that has achieved cult status and is famed for its audience asides, revisiting its stage roots as a one-woman monologue was always going to feel a bit strange – even if delivered via a cinema screen.
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This musical romp through the evolution
of Frankie Valli and the Four Seasons is packed with some of the biggest hits
of the 1960s and 70s.
Norwich audiences are notoriously polite so to provoke half a dozen people to walk out midway through a show is a strange sort of triumph; if there had been an interval, the body count would undoubtedly have been higher.
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This IOU Theatre piece definitively gives
a new perspective on life: for most of the show the audience are watching from
the back of an open-top bus.