Does violence breed violence? Does an interest in the macabre mean a respect for life, or indicate a moral weakness?
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The aftermath of the sixties provides the background for the Maddermarket’s latest deeply comic production.
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They can be one of the irritants of summer: bees buzzing around you, clambering over your picnic, harmless and yet simultaneously threatening.
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How do you tell one of the best known fairy tales in a new way? By assembling a cast of more than 200 and turning the very idea of storytelling on its head.
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Two worlds collide in the Maddermarket’s production of Alan Ayckbourn’s comedic tale of lust, misunderstanding and hastily arranged dinner parties.
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A long-lost Shakespeare play or a false claim on the Bard’s name?
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