Tim Burton’s cult classic film becomes a lively, funny, and visually stunning modern ballet in this revival of Matthew Bourne’s reimagining of Edward Scissorhands.
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Ten years on from its debut, Matthew Bourne’s gothic ballet rendition of the Sleeping Beauty story has lost none of its dreamy qualities.
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Verona is anything but fair in this dark and challenging reimagining of the tale of two young lovers.
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This may be Cinders, but there is no
pumpkin in sight – the fairy godmother is a male angel, the carriage a
motorbike and sidecar, and the ball is at the Cafe de Paris in the midst of the
London Blitz.
Based loosely on the Powell and Pressburger classic film, this reimagining of the reimagined Hans Christian Andersen fairytale is a typically stylish Matthew Bourne affair.
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William Golding’s classic tale is one of a group collapsing in on itself: this production is a group coming together in spectacular fashion.
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How do you deal with a story where the key action is the heroine sleeping for 100 years? If you’re Matthew Bourne, you shove the slumber in the interval and sex up the narrative with vampire fairies.
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From the outset of Matthew Bourne’s Play Without Words, the atmosphere drips off the stage.
Explore MoreIf there’s one phrase that describes Matthew Bourne’s
imaginative retelling of the Nutcracker, it’s “oral feast”.