Steve Hughes opened his set at Norwich Playhouse tonight with a joke about the length of the flight between his native Australia and the UK.
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Divorced, beheaded, died, divorced, beheaded, survived.
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Shakespeare’s plays are often crudely divided between comedies and tragedies; the director of this latest production of Twelfth Night clearly didn’t get that memo.
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This is one of the hardest reviews I’ve ever written.
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Adam Hills opens shows in his latest tour with a warning: he doesn’t have a planned set, he’ll mostly spend the gig talking to the audience, and it could go very wrong.
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Jack Whitehall may not be fresh meat on the comedy circuit any more, but he could still do with some more seasoning.
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Watching Russell Kane on stage is like setting light to a box of fireworks: you get a constant stream of explosions, you never quite know where they’ll end up, but you can’t help getting excited watching the bangs.
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I’ve never been to a gig at the Playhouse before with a police presence, but Richard Herring has stirred the ire of Christians with this revival of his first one-man show.
Explore MoreMark Steel hadn’t quite expected Norwich. The comedian’s latest show comprises a relaxed journey through the UK, exploring the quirks of each location. And it seems what marks out Norwich is a tendency to throw him off guard, but also to goad the best out of him.
Explore MoreBunny deserves something better than this review.
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