With a riot of noise and colour, stunts and tumbles, this is a busy and exciting show.
Explore MoreThis may be Cinders, but there is no
pumpkin in sight – the fairy godmother is a male angel, the carriage a
motorbike and sidecar, and the ball is at the Cafe de Paris in the midst of the
London Blitz.
Kidnap is at the heart of this twisted tale, adapted from Ruth Rendell’s novel of the same name, but the main thing stolen in this production is any element of suspense.
Explore MoreMistaken identity, love, and mad dashes across Europe – Top Hat is a frothy, fun journey that features some of Irving Berlin’s finest tunes and sharpest lyrics.
Explore MoreIt’s a paradox that in a world of overloading visual and aesthetic sensation that Gilbert & Sullivan still hold traction.
Explore MoreThe lyrics have rarely matched the action so accurately as in Natasha J Barnes portrayal of Fanny Brice in this touring production of Funny Girl at Norwich Theatre Royal: she has her “eye on the target” all the way through, and boy does she keep hitting bullseye.
Explore MoreThe Cornley Polytechnic Drama Society is putting on a 1920s murder mystery – but nothing goes to plan in this theatrical farce from Mischief Theatre.
Explore MorePart of a double run with Twelfth Night, this Watermill Theatre production offers a similarly musical take on the well-known Shakespeare texts, bringing songs and choreographed, physical theatre to the fore.
Explore MoreIt’s great when an act pleasantly surprises: and at this gig at Norwich Theatre Royal the audience got two unexpected delights.
Explore MoreOne of the delights of live theatre is feeling an audience react.
Explore MoreThis tense and thoughtful play, rooted in ancient Greek myth, is given a tender handling by the Theatre Royal’s youth company.
Explore MoreThis sumptuous new ballet focuses on
Italy’s famous romancer, seeking to recast him as a man as much of letters and
emotion as of energetic rutting.
This sparky, surprising, and brilliant
exposition on grief, love, and family, bounds along thanks to a superbly
talented young cast and pinpoint direction.
Based loosely on the Powell and Pressburger classic film, this reimagining of the reimagined Hans Christian Andersen fairytale is a typically stylish Matthew Bourne affair.
Explore MoreCross dressing, silly costumes, and even
dafter slapstick – is this another Theatre Royal pantomime? Oh no it is isn’t!
It’s The Russian State Ballet of Siberia’s take on one of the oldest
established ballets.