Canadian comedian Stewart Francis is back with a new tour called Pun Gent – but not all his jokes are that kindly.
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Young people just want to have fun: that might be a slightly simplistic version of the message behind Cush Jumbo’s The Accordion Shop.
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With questions about cash for access ringing in our ears, the latest production at Norwich’s Theatre Royal puts a dangerous proposition: there might be honour in politics.
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Coppelia is certainly one of the latter, with a frothy and entertaining story of a pair of young lovers split up by an all-too-convincing toymaker’s doll, a high-spirited house break, attempted death by magic and – finally – a marriage and presumably happiness ever after.
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There may have been a plot somewhere deep in Milton Jones’ latest show, but it really didn’t matter.
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A stag night prank gone wrong is the starting point for this daring and successful murder mystery – and there are plenty of twists and turns before the end.
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The recently exhumed and re-buried body of Richard III, together with the 450th anniversary of Shakespeare’s birth, has given new topicality to this particularly bloodthirsty Bard’s play.
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William Golding’s classic tale is one of a group collapsing in on itself: this production is a group coming together in spectacular fashion.
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Kings are used to being centre stage but Shakespeare’s Henry IV never really gets that chance – and this RSC production of Part I of the Bard’s epic tale doesn’t upset that.
Explore MoreHarper Lee’s tale of society’s intolerance to the other has affected a half-century of readers around the world: this theatrical retelling retains and builds on that power.
Explore MoreWhat drives love and what drives hate is at the crux of this play, written by and starring Oliver Cotton.
Explore MoreJon Richardson is clearly a sensitive man: aged disparaging
reviews, the curling of microphone wires and the absence of anyone called
Geoff in the audience all seem capable of throwing him off beat.
George Bernard Shaw’s tale of class and language is an unpleasant tale, pleasantly told.
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Musicals can sometimes take themselves too seriously. While that was never likely to be a risk with a production based on an Alan Bennett text, the levels of whimsy in Betty Blue Eyes need to be seen to be believed.
Explore MoreCirca has fast become a favourite at the Norfolk and Norwich
Festival, but this year’s show is a different beast to those that have
gone before.