All is not what it seems in this glamorous and enchanting show, that offers a gentle and lulling mix of humour and beauty.
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From the first tentative move of the opening piece to the concluding strut of the third and final dance, it is clear Boy Blue are an exceptionally talented company.
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It takes some guts to mess with The Beatles, and it takes some serious panache to pull it off.
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Part way through the first half of A Song At Twilight, the hotel waiter brings in some champagne.
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Funnier things happen at sea in this frothy and fast comedy from one of our best-regarded living playwrights.
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There has been a drastic evolution in the Russian State Ballet of Siberia’s touring performances.
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Macbeth was one of the first plays I saw as a child, and apparently so enticed me that I nearly climbed inside the witches’ cauldron.
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A bleak and oppressive world of work gives way to playfulness, humour, and some intense acrobatics in this stylish take on a circus show.
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The National Gilbert and Sullivan Opera Company brought a radical re-working of two of the duos earliest pieces to Norwich on September 21 – well, radical if you count a lesbian couple, a Tommy Cooper homage, and a Love Island joke thrown into the libretto as radical.
Explore MoreEven allowing for irony, Ladsladslads is perhaps the most unrepresentative name Sara Pascoe could have come up with for her tour.
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You know when something is not quite
right, but you can’t put your finger on it?
This musical romp through the evolution
of Frankie Valli and the Four Seasons is packed with some of the biggest hits
of the 1960s and 70s.
This, says Jon Richardson, is a three-cardigan gig.
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From the very start of Hofesh Shechter’s return to the Norfolk and Norwich Festival, with a blatant nod to the monolith and apes of 2001 Space Odyssey, we a bombarded with a dense series of cultural references.
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A minority government stumbling from vote to vote, propped up by a dubious alliance with an Irish party, and never sure if the next moment could be their last.
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