Ten years on from its debut, Matthew Bourne’s gothic ballet rendition of the Sleeping Beauty story has lost none of its dreamy qualities.
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The worlds of beat boxing and Dickens collide in this punchy and energetic ‘remix’ of a story by children’s author Michael Rosen.
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Shakespeare’s Hamlet famously says he could be bounded in a nutshell but count himself king of infinite space, were it not that he has bad dreams.
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Kin is a theatrical feast that mixes movement, dance, and puppetry, with exquisite design and lighting that is as much a part of the show as the performers.
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When two estranged brothers are reunited on the morning of their father’s funeral, the friction is much more than simply fraternal as it bottles over into class and political divide in this new play by Anders Lustgarten.
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A digital theatre show experienced over WhatsApp is being hosted by a Norfolk theatre.
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This double bill of two short Noël Coward plays offers two contrasting tales of love and adversity.
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The publicity for this show looks like just another jukebox musical – but under the skin this is a very different beast, and not just because its songs were originally written by Bob Dylan.
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The full detail of this year’s Norfolk and Norwich Festival has been unveiled, including the first visit of the prestigious Hallé symphony orchestra to the city in nearly 70 years.
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What would you do for those you love? That’s the question at the heart of this new stage adaptation from the popular Roy Grace detective series.
Explore MoreNorwich’s Maddermarket Theatre has launched its spring programme, with a mix of music, comedy, and drama from touring acts and its resident company.
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The tale of two lovers, a magician toymaker, and his life-like doll kicks of the three night visit of the Varna International Ballet to Norwich’s Theatre Royal.
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Shoes are the most beautiful thing – at least if you believe this inspired-by-true-events tale of how stilettos saved a shoe factory.
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A new theatre show based on a performance about high performance living is to debut in Norwich.
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Some startlingly good performances and writing come together in this series of monologues looking at more than 50 years of gay rights in England.
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